StrongerBible

rayah

רַעְיָה

HebrewH7474love, darling, ...

Appears 9 times · tap a cell to see the verses

Sng 1:9Sng 1:15Sng 2:2Sng 2:10Sng 2:13Sng 4:1Sng 4:7Sng 5:2Sng 6:4
Word studyResearch-graderah-YAHnoun

What rayah means

the woman a man loves, addressed as his own companion and friend.

TranslatabilityPartialCertaintySettled

This word is the feminine form of the everyday Hebrew word for a friend, a neighbour, the person you are connected to (רֵעַ). Attach "my" to it and address it to a woman, and you have what the man in the Song of Songs calls the woman he loves: my companion, my friend. The affection is obvious, but the note it strikes is a shared life rather than beauty or desire.

It turns up nine times, all of them in the Song of Songs, all of them spoken by the man, and always with "my" attached. He uses it to open his praise of her (Song of Songs 1:9), to call her out into the spring (2:10 and 2:13), and to finish off the long poem on her beauty (4:7). In 5:2 it stands in the middle of a string of names he calls through her door: my sister, my companion, my dove, my perfect one.

Set beside those other names, what this one adds stands out:

  • "beautiful" (יָפֶה) praises how she looks,
  • "my dove" (יוֹנָה) speaks of her tenderness,
  • "my perfect one" (תָּם) of her flawlessness,
  • "my sister" (אָחוֹת) and "my bride" (כַּלָּה) borrow the closeness of family and marriage,
  • and this word names her as the one whose life he shares.

She never says it back to him. Her own name for him is "my beloved" (דּוֹד), which she uses more than twenty times, and only once, at the close of her longest praise of him, does she reach for the masculine form of this friendship word and say that he is her friend as well as her beloved (5:16). How much weight that single line can carry, and whether calling her his companion says anything about the two of them standing as equals, is argued over to this day.

Sng 1:9Sng 1:15Sng 2:2Sng 2:10Sng 2:13Sng 4:1Sng 4:7Sng 5:2Sng 6:4

Disputed

Whether calling the woman his companion asserts that she is the man's equal, or is simply the conventional vocabulary of ancient love poetry.

  • contestedTaken at face value the word names the woman as the man's counterpart and equal, and the exchange of endearments across the Song is a deliberate portrait of reciprocal love.; Phyllis Trible, God and the Rhetoric of Sexuality (Philadelphia: Fortress, 1978), ch. 5; Ariel Bloch and Chana Bloch, The Song of Songs: A New Translation (New York: Random House, 1995), 3-15, 144; J. Cheryl Exum, Song of Songs: A Commentary, OTL (Louisville: Westminster John Knox, 2005), 81ff.; Gianni Barbiero, Song of Songs: A Close Reading, VTSup 144 (Leiden: Brill, 2011)
  • contestedIt is a conventional term of endearment in the international love poetry of the period, comparable to the way Egyptian love songs address the beloved as "sister", so any claim about equality has to be argued on other grounds.; Michael V. Fox, The Song of Songs and the Ancient Egyptian Love Songs (Madison: University of Wisconsin Press, 1985), 8-13, esp. chs. 1-2; Marvin H. Pope, Song of Songs, Anchor Bible 7C (Garden City: Doubleday, 1977), introduction on comparative materials; Duane Garrett, Song of Songs, Word Biblical Commentary 23B (Nashville: Thomas Nelson, 2004); Richard S. Hess, Song of Songs, Baker Commentary on the Old Testament Wisdom and Psalms (Grand Rapids: Baker Academic, 2005), at Song 2:10

What scholars say about rayah

Every major reference work files רַעְיָה under רעה II (to associate with) and glosses it within a narrow band. BDB 946 lists only the bracketed unsuffixed form and gives "companion, of beloved bride" for the nine Canticles tokens; HALOT gives "girl friend, (female) companion, beloved" with the comparative dossier (Ugaritic rʿ and rʿy, Akkadian rūʾu, Aramaic רַעְיָא, Arabic raʿiyy); DCH 7 offers the widest string, "female companion, darling, beloved, girl friend, mate", while declining etymology on its usage-based method; Gesenius 18 has Freundin, Geliebte and notes that the noun is attested only with a pronominal suffix. TDOT (Kellermann and Michel, on רֵעַ) and TLOT (Jenni) integrate the form into the רֵעַ word-family and stress its restriction to intimate erotic address, and NIDOTTE (Wakely) records the post-biblical narrowing to wife or spouse in Rabbinic and Modern Hebrew. Morphologically the noun is a qatl-at or qitl-at formation on a III-y root with the yod retained (proto-form *riʿy-at), standing beside רֵעָה, where the yod contracts, and the abstract-to-concrete רְעוּת; the retained yod gives it a slightly archaizing, elevated feel that suits poetic diction. The tenth potential token, Judges 11:37, is a Kethiv/Qere problem: the Kethiv וְרַעְיֹתָי is pointed as a plural of רַעְיָה, the Qere וְרֵעוֹתָי as a plural of רֵעָה, and since BDB and HALOT both follow the Qere (as verse 38 and Psalm 45:14 require for רֵעָה) the lexeme is functionally confined to Canticles. Fox's comparison with Egyptian sn.t in Ramesside love poetry (Chester Beatty I, Harris 500, the Cairo Love Songs) frames רַעְיָתִי as a genre-marked epithet analogous to the Egyptian fictive-kinship address, which the Song deploys alongside its own fictive kinship in אֲחֹתִי כַלָּה; Pope and S. M. Paul read the sequence רֹעִים and then רַעְיָתִי across Song 1:7 to 1:9 as paronomasia on the homophonous pastoral root, while Garrett and Longman treat the sound-play as incidental. On the diachronic question, Dobbs-Allsopp gathers the form with the Song's late linguistic features, Rendsburg reassigns such Aramaic-looking forms to Israelian (northern) Hebrew, and Fox treats the whole cluster (רַעְיָתִי, יָפָתִי, יוֹנָתִי, תַמָּתִי) as a specialized poetic register; Hurvitz's own criteria exclude the noun from the reliable Late Biblical Hebrew marker list, since it has no attested earlier equivalent.

Where scholars disagree about rayah

What the word's confinement to the Song of Songs, and its close Aramaic relatives, imply about when the Song was written.

  • contestedThe form belongs with the Song's late, Aramaic-influenced vocabulary and points to a date after the exile.; S. R. Driver, An Introduction to the Literature of the Old Testament, 12th ed. (1906), 448-449; F. W. Dobbs-Allsopp, "Late Linguistic Features in the Song of Songs," in Perspectives on the Song of Songs, ed. A. Hagedorn, BZAW 346 (Berlin: de Gruyter, 2005), 27-77
  • contestedForms that look Aramaic may instead belong to a northern dialect of Hebrew, so the word says nothing about lateness.; Gary A. Rendsburg, "Israelian Hebrew in the Song of Songs," in Biblical Hebrew in Its Northwest Semitic Setting, ed. S. E. Fassberg and A. Hurvitz (Jerusalem: Magnes, 2006)
  • contestedThe word belongs to a specialized poetic vocabulary for love songs, alongside the other names the man uses, and by itself dates nothing; on the standard criteria for dating it is not a reliable marker of late Hebrew at all, since no earlier equivalent is attested.; Michael V. Fox, The Song of Songs and the Ancient Egyptian Love Songs (Madison: University of Wisconsin Press, 1985), 188-189; Avi Hurvitz, "The Chronological Significance of Aramaisms in Biblical Hebrew," Israel Exploration Journal 18 (1968); Ian Young and Robert Rezetko, Linguistic Dating of Biblical Texts, 2 vols. (London: Equinox, 2008)
In-depth research

This is a research paper, so it may be hard to read without scholarly background. It is useful if you want to dig even deeper into this word.

Sources

  • BDB (Brown, Driver, Briggs), A Hebrew and English Lexicon of the Old Testament (Oxford: Clarendon, 1906), 946, s.v. רַעְיָהlexicon
  • HALOT (Koehler, Baumgartner, Stamm; tr. Richardson; Leiden: Brill, 1994-2000), s.v. רעה II and s.v. רַעְיָהlexicon
  • D. J. A. Clines, ed., The Dictionary of Classical Hebrew, vol. 7 (Sheffield: Sheffield Phoenix, 2010), s.v. רַעְיָהlexicon
  • Gesenius, Hebräisches und Aramäisches Handwörterbuch über das Alte Testament, 18th ed., ed. R. Meyer, H. Donner, U. Rüterswörden (Berlin: Springer, 1987-2010), s.v. רַעְיָהlexicon
  • D. Kellermann and D. Michel, "רֵעַ," in Theological Dictionary of the Old Testament, vol. 13 (Grand Rapids: Eerdmans, 2004)theological-dictionary
  • Ernst Jenni, "רֵעַ," in Theological Lexicon of the Old Testament, 3:1243-1246theological-dictionary
  • Robin Wakely, "רעה II / רֵעַ," in New International Dictionary of Old Testament Theology and Exegesis, vol. 3, ed. W. A. VanGemeren (Grand Rapids: Zondervan, 1997)theological-dictionary
  • Michael V. Fox, The Song of Songs and the Ancient Egyptian Love Songs (Madison: University of Wisconsin Press, 1985), 8-13, 66, 105, 188-189monograph
  • Marvin H. Pope, Song of Songs, Anchor Bible 7C (Garden City: Doubleday, 1977), 338-344commentary
  • Roland E. Murphy, The Song of Songs, Hermeneia (Minneapolis: Fortress, 1990), 125commentary
  • Othmar Keel, The Song of Songs, Continental Commentary (Minneapolis: Fortress, 1994)commentary
  • J. Cheryl Exum, Song of Songs: A Commentary, OTL (Louisville: Westminster John Knox, 2005), 81ff.commentary
  • Tremper Longman III, Song of Songs, NICOT (Grand Rapids: Eerdmans, 2001)commentary
  • Richard S. Hess, Song of Songs, Baker Commentary on the Old Testament Wisdom and Psalms (Grand Rapids: Baker Academic, 2005), at Song 2:10commentary
  • Ariel Bloch and Chana Bloch, The Song of Songs: A New Translation (New York: Random House, 1995), 3-15, 144monograph
  • F. W. Dobbs-Allsopp, "Late Linguistic Features in the Song of Songs," in Perspectives on the Song of Songs, ed. A. Hagedorn, BZAW 346 (Berlin: de Gruyter, 2005), 27-77article
  • Gary A. Rendsburg, "Israelian Hebrew in the Song of Songs," in Biblical Hebrew in Its Northwest Semitic Setting, ed. S. E. Fassberg and A. Hurvitz (Jerusalem: Magnes, 2006)article
  • Avi Hurvitz, "The Chronological Significance of Aramaisms in Biblical Hebrew," Israel Exploration Journal 18 (1968)article
  • G. del Olmo Lete and J. Sanmartín, A Dictionary of the Ugaritic Language in the Alphabetic Tradition, 3rd ed. (Leiden: Brill, 2015), s.v. rʿlexicon

All attested forms of רַעְיָה

f s construct

רַעְיָתִי

Sng 1:9, Sng 1:15, Sng 2:2, Sng 2:10, Sng 2:13, Sng 4:1, Sng 4:7, Sng 5:2