a low murmuring sound made just under the voice: strings humming, a heart musing, enemies muttering.
This word comes from a verb that names a sound down in the throat: the growl of a lion over its kill, the moan of a dove, the low mutter of someone talking to himself. The noun names that sound as a thing. It is neither a shout nor silence, but the steady hum a person makes when something is going on inside and part of it comes out.
Because the word names a sound rather than a topic, it can attach to very different situations, and its four appearances in the Bible show the whole spread:
- strings resonating under the hand of a player (Psalm 92:3)
- a worshiper's inner words laid before God alongside the words of his mouth (Psalm 19:14)
- the low, all-day muttering of enemies working out how to do harm (Lamentations 3:62)
- a single word left standing at the end of a line in Psalm 9, right beside סֶלָה, where it seems to direct the music or the moment (Psalm 9:16)
The most valuable thing the word teaches is that meditation, in the Bible, was something you could hear. Psalm 19:14 pairs "the words of my mouth" with the murmuring of the heart, one offering with an outer half and an inner half, and the inner half is still speech. The verb behind this noun (הָגָה) is what the faithful person does over God's instruction day and night: saying it over in a low voice, not turning it over wordlessly.
The same low murmur can be prayer or malice. In Lamentations it is the sound of people whispering against a man all day long, the dark twin of what the psalmist offers to God. In Psalm 92 it is neither one: it is what a lyre does, a resonance that is itself a kind of sounded devotion. One word holds all three because what it names is a sound, not a mood.
Nuances
What the word denotes in the list of instruments at Psalm 92:3 (Hebrew 92:4).
- majorityThe resonant, murmuring sound of the strings themselves, so the phrase describes how the lyre sounds.; BDB, s.v. הִגָּיוֹן (sense 1, "resounding music," following T. K. Cheyne); W. Gesenius and J. Fürst, as reported in McClintock and Strong, Cyclopaedia of Biblical, Theological, and Ecclesiastical Literature, s.v. "Higgaion"
- minorityThe melody or tune played on the harp rather than the quality of its sound.; Abraham Ibn Ezra, Commentary on Psalms, at Psalm 92:4; David Kimhi (Radak), Commentary on Psalms, at Psalm 92:4
- minorityThe name of a specific instrument.; Alfred Sendrey, Music in Ancient Israel; A. Z. Idelsohn, Jewish Music in Its Historical Development
What the isolated word beside Selah at Psalm 9:16 (Hebrew 9:17) directs.
- majorityA musical or performance direction, an interlude or instrumental flourish reinforcing Selah.; Septuagint, Psalm 9:17 (ᾠδὴ διαψάλματος), followed broadly by Symmachus, Aquila and the Gallican Psalter; Sigmund Mowinckel, The Psalms in Israel's Worship
- minorityA call to pause and reflect on what has just been said, taking the word in its musing sense.; F. A. G. Tholuck, Übersetzung und Auslegung der Psalmen; E. W. Hengstenberg, Commentary on the Psalms
- minorityAn instruction about the strings: a soft, murmuring or rustling plucking of the lyre.; W. Gesenius, as reported in McClintock and Strong, Cyclopaedia of Biblical, Theological, and Ecclesiastical Literature, s.v. "Higgaion"; O. Glaser, on the musical terminology of the Psalter