a molding: the narrow raised band of gold running around the edge of a piece of tabernacle furniture
This word turns up ten times in the Bible, all of them in Exodus, and every time in the same short phrase: a molding of gold, all around. It belongs to the account of the tabernacle, the portable sanctuary Israel carried through the wilderness, and it names a finishing detail on the furniture that stood inside it.
The same detail is specified for each of the holy objects, and each one is described twice, once when the instructions are given and again when the work is actually carried out:
- the chest that held the covenant, overlaid with gold inside and out (Exodus 25:11; 37:2)
- the table that carried the bread set out before God (Exodus 25:24; 37:11)
- the frame (מִסְגֶּרֶת) that ran a handbreadth wide around that table (Exodus 25:25; 37:12)
- the small altar where incense was burned (Exodus 30:3; 37:26)
Physically it is a thin raised band of gold running around the top edge of each piece. It finished the surface off and marked where it ended, and on the table it would also have kept what sat there from sliding away. The builders treated it as a fixed landmark as well: the rings that held the carrying poles of the incense altar were set just underneath its molding, on two opposite sides (Exodus 30:4; 37:27).
Notice what does not get one. The bronze altar out in the courtyard and the lampstand are both described in detail, and neither has a molding. The gold trim belongs only to the three objects that stood inside the tent, so this small piece of craftsmanship tracks the same rising scale of holiness that runs through the whole sanctuary, from bronze in the open courtyard to gold in the room only priests entered.