a prostitute: a woman who is paid for sex, treated in the New Testament as a specific, recognizable figure rather than a loose label for any immoral woman.
Across the New Testament this word names one thing: a paid prostitute. Behind it stands an old Greek word for selling, so at its root it pictures a woman who is bought, the low-status, publicly available sex worker rather than the expensive, educated companion whom a wealthy man might keep (the courtesan, in Greek the "hetaira"). That servile, purely transactional background is not decoration. It is why the word carries the weight it does when the New Testament uses it.
The same concrete image gets put to two uses. Most often it points to real women: the prostitutes Jesus says are entering God's kingdom ahead of the religious leaders, Rahab remembered among the heroes of faith, the prostitute Paul warns the Corinthians against joining themselves to. In Revelation the image is lifted onto a whole city. "The great whore" is Rome, the rich and idolatrous empire that seduces the nations into its trade, its luxury, and its worship. The force of that vision depends entirely on every reader knowing exactly what a prostitute was.
A few near neighbors should be kept apart from it. The matching word for a sexually immoral man is πόρνος, and the broad noun for sexual immorality of every kind is πορνεία. That broad noun widened over time to cover the whole range of forbidden sex, but this word for a prostitute stayed narrow and specific throughout. The wider imagery of a wife or city being unfaithful also overlaps with the word for an adulteress (μοιχαλίς), which the prophets and Revelation blend with the picture of a whore.
The metaphor was already old. When Greek-speaking Jews translated the Hebrew Bible, they rendered the Hebrew word for a woman who "plays the harlot" (זנה) with this Greek word, and the prophets had long pictured a faithless city as a whore. The New Testament inherited that ready-made language, in which prostitution could stand for idolatry, broken covenant, and empire, without ever losing the concrete picture underneath.
Nuances
How to read the violent stripping, exposure, and burning of the great whore in Revelation 17:16.
- contestedIt is figurative prophetic judgment on the imperial city: its own political powers turn on its own culture, picturing the self-destruction of an oppressive, idolatrous system, with no focus on an actual woman.; G. K. Beale, The Book of Revelation, NIGTC (1999); Richard Bauckham, The Climax of Prophecy (1993)
- contestedEven if the target is Rome, the imagery works by objectifying and destroying a female body, and that gendered violence cannot be neutralized by treating the woman as "just a metaphor."; Tina Pippin, Death and Desire: The Rhetoric of Gender in the Apocalypse of John (1992); Caroline Vander Stichele, "Just a Whore: The Annihilation of Babylon According to Revelation 17:16," Lectio Difficilior 1 (2000); Jean K. Kim, "'Uncovering Her Wickedness': An Inter(con)textual Reading of Revelation 17 from a Postcolonial Feminist Perspective," JSNT 73 (1999)