Baal-hamon: the place where Solomon kept a vineyard, a name that reads in Hebrew as "owner of abundance" or "master of a multitude"
This name turns up once in the whole Bible, as the spot where Solomon had a vineyard that he leased out to keepers for a thousand pieces of silver. Unlike most place names, it is built out of two everyday Hebrew words that any listener would have recognized: one meaning an owner, master, or husband (בַּעַל), and one meaning a crowd, an uproar, or a great heap of wealth (הָמוֹן). Put together they say something close to "owner of a whole lot."
That second word pulls in three directions at once, and all three were live for an ancient reader:
- the sheer noise of a crowd, the roar of oncoming rain or the din of an army massing
- a great number of people, as in the promise that Abraham would father a multitude of nations
- a great quantity of goods, the piled-up riches of the wicked or the wealth of the nations
Because the same verse goes straight on to name a price in silver, most scholars hear "abundance" first here, with "a multitude" close behind.
Hebrew regularly describes a person by what they own or embody: a master of dreams for a dreamer, an owner of wings for a bird, a master of anger for a hot-tempered man. Israel's map is also dotted with places called Baal-something, but those almost always pair the name with a mountain or a landmark that is itself a proper name. This one is odd in pairing it with an ordinary noun, a trait it shares with only a couple of others such as Baal-tamar (בַּעַל תָּמָר) and Baal-perazim (בַּעַל פְּרָצִים). That oddity is one of the main reasons many scholars think the poet chose the name for what it says rather than copying it off a map.
In the poem the name is doing real work. Solomon's vineyard is large, far off, worked by hired keepers, and worth a fixed rent, and the very next line answers it: the speaker's own vineyard is right here, and it is not for hire. Since 1 Kings 11:3 credits Solomon with a thousand wives, the thousand pieces of silver and an estate called "owner of a multitude" let the king's land, his income, and his household of women stand together in a single image. Against all of that the Song sets one love that no amount of money could buy.