to mix or blend things into one another, especially flour worked together with oil
At its heart this verb describes combining things so thoroughly that they become one mass: most often flour and oil kneaded together for an offering, but also wetting and saturating something, or people blending into a crowd. The same picture of stirring distinct things together is what makes the famous use at Babel work. When God confounds human speech, the languages are not destroyed but jumbled, mixed up so no one can sort out anyone else's words.
The range runs from the kitchen to the courtroom of heaven. In the priestly instructions it is a concrete, repeated recipe word for a grain offering: fine flour blended with oil. Once it leaves that setting it picks up a figurative edge. Ephraim mixing himself in among foreign nations is the same act of blending, now a charge of compromise. The confusion of tongues is mixing turned punitive, a deliberate scrambling rather than a careful combining.
Readers should not assume the senses are unrelated. Scholars treat the confounding of speech at Babel as this one verb stretched to fit a memorable play on the sound of the name Babylon, not as a different word that happens to look the same.
Nuances
Whether this verb means punitive confusion of speech here, or simply neutral mixing of peoples and tongues.
- majorityA deliberate play on words confounding human speech as judgment, scrambling the languages so no one understands another.; Nahum Sarna, Understanding Genesis (1966), 69; E. A. Speiser, Genesis (Anchor Bible 1, 1964)
- minorityThe verb keeps its ordinary lexical sense "mix," and Genesis 11 is an account of the legitimate origin of diverse cultures rather than a punishment.; Theodore Hiebert, "The Tower of Babel and the Origin of the World's Cultures," JBL 126 (2007): 29-58